無聲影像；12分鐘45秒
我以手指於掌心寫下一首詩的無聲影像。該詩由人工智慧（AI）生成，取舊金山和約為靈感，並由我（台灣人）修改為自己有所連結的版本。
舊金山和約是第二次世界大戰後多國*與日本簽訂的和平條約，也是台灣地位爭議的一環，因當中日本僅表示「放棄」對台的權利，未表明台灣主權歸屬何方。作品渲染集體和個人經驗的交織（影響至今的歷史條約、學習自眾人資料的 AI、我與二者的互動），凸顯那在場卻難以理解的語言，以及作為「我們版本歷史敘事」容器的，我的身體。
展於塞爾維亞，當時的南斯拉夫，該國受邀但未出席和會，保持沉默。
*比利時、巴拿馬、巴拉圭、巴基斯坦、巴西、玻利維亞、秘魯、墨西哥、美國、法國、菲律賓、多明尼加、土耳其、尼加拉瓜、挪威、紐西蘭、南非、黎巴嫩、寮國、盧森堡、賴比瑞亞、古巴、瓜地馬拉、哥倫比亞、哥斯大黎加、高棉（柬埔寨）、宏都拉斯、荷蘭、海地、加拿大、希臘、錫蘭（斯里蘭卡）、敘利亞、智利、沙烏地阿拉伯、薩爾瓦多、伊拉克、伊朗、衣索比亞、印尼、英國、烏拉圭、委內瑞拉、越南、阿根廷、厄瓜多、埃及、澳大利亞
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Silent Video; 12 minutes 45 seconds
A silent video of me writing a poem with my finger on palm. This poem was generated by artificial intelligence (AI), inspired by the Treaty of San Francisco, and revised by me (Taiwanese) to create a version that connects me.
The Treaty of San Francisco was a post-World War II peace treaty between several nations* and Japan. It shaped the dispute over Taiwan’s status, as Japan merely “renounced” its rights to Taiwan without specifying who holds sovereignty over the islands. The work renders the interweaving of collective and personal experiences (historical treaty that influence us to this day, AI that draws on collective data, and my interaction with both), reinforcing the present but opaque language, and the vessel for “our version of history,” my body.
It was shown in Serbia, then Yugoslavia—a country invited to the San Francisco conference but absent—yet another silence on purpose.
*Argentina, Australia, Belgium, Bolivia, Brazil, Cambodia, Canada, Ceylon (currently Sri Lanka), Chile, Colombia, Costa Rica, Cuba, Dominican Republic, Ecuador, Egypt, El Salvador, Ethiopia, France, Greece, Guatemala, Haiti, Honduras, Indonesia, Iran, Iraq, Laos, Lebanon, Liberia, Luxembourg, Mexico, Netherlands, New Zealand, Nicaragua, Norway, Pakistan, Panama, Paraguay, Peru, Philippines, Saudi Arabia, Syria, Turkey, South Africa, United Kingdom, United States, Uruguay, Venezuela, Vietnam