Photo courtesy of Spider London; Pink belongs to Kat Easto
現成物
一顆迪卡儂（Decathlon）按摩球，供觸碰與使用。
若缺乏參照物，球體無法被透視捕捉。作品借用「迴避視覺」形狀和「迪卡儂」（無論作為品牌名還是田徑活動*）一詞，暗示身體存在及其在此的不作為：雕塑中，材料經常是被施力的對象（由人、生物或無生命體），與此同時，按摩球則施力於人，而我什麼也沒做。
展於核裁軍運動（Campaign for Nuclear Disarmament）前總部的毯子堡壘內（請見下圖），嵌套於休息革命與抵抗歷史。
*迪卡儂為大型連鎖體育用品專賣店；英文中，decathlon 意指「十項全能」（由十項不同田徑項目組成的競賽）。
✿ 感謝 Spider London 的脈絡：「冬眠國度」
Spider London 是藝術家兼首席策展人 ezhava ekabo donyi 和製作人兼聯合策展人 Juliet Cook 與 Monu 合作開發的藝術文化計畫。
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Ready-made
A massage ball from Decathlon, free to touch and use.
Without a point of comparison, the sphere cannot be captured by perspective. The work borrows this shape of “avoiding vision” and the word Decathlon (whether as a brand or an athletics event) to suggest the body’s presence and its inaction here: in sculpture, the material is often something applied force to (by humans, creatures, or inanimate objects), while the massage ball is something through which applies force on humans, and I do nothing.
It was shown inside a blanket fort at the former headquarters of the Campaign for Nuclear Disarmament, nested within a revolution of rest and a history of resistance.
✿ With gratitude to Spider London for the context: “Hiber Nation”
Spider London is an arts and culture programme developed by artist and lead curator ezhava ekabo donyi, in collaboration with producers and co-curators Juliet Cook and Monu.
Photo courtesy of Spider London; Works here by: Kat Easto (blanket fort & painting), Faye Van Andel, Becky Hoghton, Cara Jones, negations, Arash Rafiei, Jesse Rist, Nurin Yusof