劇本表演
劇本：兩位表演者（外表年齡性別皆可），一位面向麥加一位背向，兩人背對背站得靠近但未接觸。表演開始後兩人站定，目光朝遠方，各自感覺五分鐘後安靜向前走，直到表演者想停下來。
受阿德里亞娜．岡薩雷斯．布倫《來自「地球」系列》（2015）啟發，作品挖掘身體移動的視角轉換和形成連結潛力。其標題 Kal（कल）於烏爾都語中，既可指「明天」也可指「昨天」，須依上下文判斷。透過詞彙的雙重意涵和行為的雙重方向，它探討信仰與現代化之間的動態張力或和諧，以及人們對未來想像的可能異同。行走呼應時間流逝，「劇本」形式則喚起外來控制者和仍具能動性的個體。
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Scripted performance
Script: Two performers, of any appearance, age, or gender, stand close but without touching—one facing Mecca, the other with their back to it. Once the performance begins, they remain still, gazing into the distance, each sensing they have five minutes before quietly walking forward until they choose to stop.
Inspired by Adriana González Brun’s De la serie Tierra (2015), the work taps the potential for shifting perspectives and forging connections through body movement. Its title, Kal (कल), in Urdu can mean both “tomorrow” and “yesterday,” depending on the context. Through the dual meaning of the word and the dual direction of the action, it explores the dynamic tension or harmony between faith and modernization, as well as how people envision the future. The act of walking reflects the passage of time, while the scripted form suggests external controller and individual that still has agency.